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| Name |
Parish House of the Church of the Annunciation of the Holy Virgin in Pavlovskaya Sloboda |
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| Native Name | Приходский дом церкви Благовещения Богородицы в Павловской Слободе | ||||||
| Ensemble | Part of an Ensemble | ||||||
| Year | 2004-2010 | ||||||
| Architect | — — — | ||||||
| Engineer | — — — | ||||||
| Artists | — — — | ||||||
| Place | Moscow Oblast / Istra Raion / Pavlovskaya Sloboda | ||||||
| Restoration | — — — | ||||||
| Style | Russian Revival | ||||||
| School | — — — | ||||||
| Trend/Type | Moscow, Ornamental | ||||||
| Domes/Cupolas | — — — | ||||||
| Height | — — — | ||||||
| Address | — — — | ||||||
| Page | №1 | №2 | ||||||
| Site | sobory.ru | Temples of Russia | ||||||
| Author | Сергей и Маша Поповы | Носиков Сергей Павлович | ||||||
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| Name |
Vladimir Lenin Museum (former City Duma) |
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| Native Name | Музей В.И. Ленина (Московская Городская Дума) | ||||||
| Ensemble | The Red Square | ||||||
| Year | 1890-1892 | ||||||
| Architect | Dmitry Nikolayevich Chichagov | ||||||
| Engineer | — — — | ||||||
| Artists | — — — | ||||||
| Place | Moscow | ||||||
| Restoration | — — — | ||||||
| Style | Russian Revival | ||||||
| School | — — — | ||||||
| Trend/Type | Ornamental | ||||||
| Domes/Cupolas | — — — | ||||||
| Height | — — — | ||||||
| Address | Площадь Революции, 2/3 | ||||||
| Author|Page|Site | Picture Source Lost | ||||||
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| Name |
GUM Mall; Main Department Store |
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| Native Name | Главный универсальный магазин; Верхние торговые ряды | ||||||
| Ensemble | The Red Square | ||||||
| Year | 1890-1893 | ||||||
| Architect | Aleksandr Nikanorovich Pomerantsev | ||||||
| Engineer | Vladimir Grigoryevich Shukhov | ||||||
| Artists | — — — | ||||||
| Place | Moscow / Tverskoi | ||||||
| Restoration | — — — | ||||||
| Style | Russian Revival | ||||||
| School | — — — | ||||||
| Trend/Type | Ornamental | ||||||
| Domes/Cupolas | — — — | ||||||
| Height | — — — | ||||||
| Address | — — — | ||||||
| Page | №1 | Lost | ||||||
| Site | Remmers | Lost | ||||||
| Author | №1 | Lost | ||||||
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| Name |
Embassy of France (former Igumnov's Mansion) |
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| Native Name | Посольство Франции (Особняк Игумнова) |
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| Ensemble | — — — | ||||||
| Year | 1889-1893 | ||||||
| Architect | Nikolai Ivanovich Pozdeyev (exterior), Pyotr Semyonovich Boitsov (interior) | ||||||
| Engineer | — — — | ||||||
| Artists | — — — | ||||||
| Place | Moscow / Yakimanka | ||||||
| Restoration | — — — | ||||||
| Style | Russian Revival | ||||||
| School | — — — | ||||||
| Trend/Type | Ornamental | ||||||
| Domes/Cupolas | — — — | ||||||
| Height | — — — | ||||||
| Address | Ул. Большая Якиманка, 43 | ||||||
| Page | Lost | №2 | №3 | №4 | №5 | ||||||
| Site | FotoKrotik | Yandex.Fotki | Same | About Moscow | (№2) | ||||||
| Author | Lost | tpcherun | floras68 | №4 | mamchester | ||||||
| Name |
Tretyakov Gallery |
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| Native Name | Государственная Третьяковская галерея |
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| Ensemble | — — — | ||||||
| Year | 1901-1904 | ||||||
| Architect | Viktor Mikhailovich Vasnetsov (facade) | ||||||
| Engineer | — — — | ||||||
| Artists | Is a Museum | ||||||
| Place | Moscow / Yakimanka | ||||||
| Restoration | — — — | ||||||
| Style | Old Rus' Revival | ||||||
| School | — — — | ||||||
| Trend/Type | — — — | ||||||
| Domes/Cupolas | — — — | ||||||
| Height | — — — | ||||||
| Address | Лаврушинский переулок, 10 | ||||||
| Author|Page|Site | No copyright/Unknown | ||||||
| Name |
New "Baker" Stock Exchange |
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| Native Name | Здание новой "хлебной" биржи |
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| Ensemble | — — — | ||||||
| Year | 1912 | ||||||
| Architect | Aleksandr Vasilyevich Ivanov | ||||||
| Engineer | — — — | ||||||
| Artists | — — — | ||||||
| Place | Yaroslavl Oblast / Rybinsk | ||||||
| Restoration | — — — | ||||||
| Style | Russian Revival | ||||||
| School | — — — | ||||||
| Trend/Type | — — — | ||||||
| Domes/Cupolas | — — — | ||||||
| Height | — — — | ||||||
| Address | Волжская наб., 2 | ||||||
| Author|Page|Site | NOTE: If you want to use these images you must purchase them HERE. | ||||||
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Related Pages: |
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| 1800s onward |
Projects |
Read | |||||
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Projects of houses in Russian style. |
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